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Showing posts with label old posts. Show all posts

Tuesday, March 3, 2009

Hope adorned

When I was two weeks shy of my 21st birthday I landed in Madrid with $2000 in my pocket, my room and board paid for the next four months, and no intention to go back on the date of my return ticket. Loose ends had been tied. Where I had been unable to sever love bonds, thankfully, they had been severed for me, albeit with a torturingly dull blade, leaving a wound that for some reason wouldn't scab as quickly as I wanted it to so I could scratch it off with emotionlessness. But with my rose tapestry luggage, and a worn copy of The Fountainhead in my back pocket, I was exceedingly hope spangled that Europe would help my bleeding coagulate into indifference.

I was on my own. For the first time and last time in my life I was a firm believer in human agency unencumbered by an increasingly more flexible structure wherein I could invent myself.

I was meant to be in Sevilla for university but had a few weeks to situate myself in my new world. My parents had generously put me up in the Hotel California on the Gran Via in Madrid for a couple of nights to gather my bearings until I could manage to find a hostel or some other arrangement and make my way down south where I was expected.




I took no pictures of that hotel room on the Gran Via to conserve my memory. Film at that time was reserved for splendid cathedrals, quaint plazas, important monuments, things I thought I might only see for a short time, not knowing I would walk by them every day for years en route to work. Even without pictures, my memory conserves the tall ceilings, old world decorations and the busy street below my window that I gazed out of. The tub was miniature, the faucets and light switches and pillows all different. I stared at the bidet in befuddlement. Something inside me told me this memory is important; keep it.

I knew loneliness wasn't far off, but for the moment I cherished that I alone made every decision for myself. I decided which streets were worthy of walking down, what I wanted to eat and when and where. I felt in charge of my fate. It's a feeling that only comes accompanied by solitude but that I am grateful is a part of the assemblage of my human experience.



I wandered around Madrid alone. A child of new America, sprawl America, strip mall America, who had never so much as been to Chicago, New York or San Francisco, I stared up at the tall buildings until my neck could no longer take it. I watched all the busy, beautiful people in their perfectly tailored and pressed clothes. I looked down at my own dorky attire but couldn't pinpoint exactly where I had gone wrong. I just knew I wasn't quite right.

I wandered into a cafe where I realized that after three years of high school and college Spanish I was incapable of even ordering breakfast.

"Un croissant y un cafe con leche", a man barked to the waiter.

"Un croissant y un cafe con leche", I repeated insecurely when the waiter finally muttered something unintelligible to me. I salivated at the gorgeous looking orange juice I saw others enjoying and tried to remember how to say it. Jugo de...something or another. Oh well, cafe con leche it shall be. I wanted desperatly not to look like a dumb tourist and would give up orange juice to do so.

I wandered up to what appeared to be a train station with loads of people rushing up and down the stairs in a fury. The sign above the stairway, plain as day, read "Sevilla". Excellent, I thought. I'll get my trip to Sevilla all figured out, it will be one less thing to have to worry about. I went down the steps and told the woman at the ticket counter that I wanted a ticket to Sevilla, since obviously this was the train to Sevilla. She stared at me dumbfounded and answered, "But you are in Sevilla." I thanked her and walked away in complete provincial confusion and worked my way back up to the street level. It was days later that I realized this was the Madrid subway. I had been at the subway stop called "Sevilla". I had never seen a real underground before. The awareness of my own ignorance was humbling.

I thought about where I had come from and I felt an aching to be someone else. No, I wanted to be someone.

Months and years later I clung to being the person that moved to Spain that had learned Spanish and became this bicultural entity. It was the only thing that had ever defined me. In Spain I was Bluestreak, la americana. At home I was Bluestreak, "she lives in Spain, dude." I guess I thought this gave me the social and cultural capital to trump all the motherfuckers who had pushed me aside. I had been chiseled out into something worth mention. Or something. That feeling wore off a long time ago and metamorphisized into something resembling inadequacy.

For awhile I have arithmetically examined my life and summed up all of the parts of me that remained after culture had blended beyond a novelty, after I had subtracted people being impressed with me living in Spain which was now nothing other than an annoyance to me that they thought it interesting, or people here finding it curious that I was an American that spoke such good Spanish which equally annoyed me, after I had subtracted all the scabs I'd shed over the years. The sum total terrified me that I was left with an embodied dialectic, a person who had defined themselves by a contradiction.

But I'd be a hopeless idiot and a waste to think that I can't reinvent myself whenever I want.

Maybe I'll never have the same sense of agency that I had those first few days in Madrid when I was just 21. There may be times I want to take a bite of food that I decide on and Luigi says, "Don't eat that, babe, that's nasty, you're gonna get sick." There may be streets I want to take and he will say, "No, cariƱo, that's not the right way, we're gonna get lost, let's go my way". But as any structure that impinges on any actor, these structures also enable me, and I´d be floating off into fucking nothingness without them...without him. And this one who licked my war/love wounds and helped coagulate my blood, and gave me the go ahead when my scabs were clear for picking doesn't deserve the tired, defeated version of me. He deserves the hope-spangled one.

And so do I.

P.S. I´ve missed you guys. I´m catching up on your blogs slowly. I know it goes without saying, but I´ve needed a break from the pixelated wonderland to find my voice again, and I hope I´m not fucking jinxing it again. Thanks for sticking around.

Artwork Hopper, Edward Hotel Room, 1931 and Automat 1927.


This post was originally published at my old site. Sorry I couldn't import your comments.


Friday, January 23, 2009

The Hyperreality of Home

My father moved around a lot when I was growing up. I lose track when counting all of the homes that we lived in, but there must have been at least 12 that I can remember before the age of 12 when I went to live with my mom; the house in Lake Havasu, the house on Terrace, the house on Brown... Arizona, New Mexico, Texas, Oregon, Missouri, back to Arizona, back to Missouri, and back to Arizona again. It was all very exhausting and annoying for a pre-teen.




Whenever we found ourselves in Phoenix, my dad would drive by our old house on Terrace. I'm not exactly sure why, maybe because my sisters and I pleaded with him to do so, because it seemed like our home that never was. I don't know what was so special to us about that house. When we moved I must have been just six years old, but I always wanted to drive by it.

This was my first experience with the disemboweling feeling of nostalgia and the useless grasping at a fleeting sense of home.

I inherited both habits from my father, the aimless moving around and the drive-by nostalgic self-torturing. I've lived in fourteen homes since I left my parents house at 18, the average time spent at each place being one year.

It turns out there is one house, my current house, that I moved into accepting its status of infra-home, with the intention of staying just until our lease was up and moving somewhere else. It was a temporary move, a stepping stone. This just so happens to be the house I've lived in the longest (3.5 years) second only to the house I graduated from high school in (6 years).

This is as home as home gets.

But it isn't.

The most authentic, vivid feeling of home that is able to tug at my heartstrings is only present in its residual form. It only really happens once I have left a place.

Yes, I know home should be wherever Luigi and kitty are. In theory it is. But inside I'm in some sort of home-purgatory. It isn't that home is unreal. It's hyperreal. My own misrepresentational memories of it have filtered and recreated an unrealistic expectation in my mind of what home is supposed to feel like.

I'm the idiot tourist described by Baudrillard walking through Disneyland nostalgic for the Main Street America depicted there that was never real to begin with.



Do you know what this means?



It only means that I'm horribly, pathetically ungrateful. Believe me, I realize this. No need to point it out.

I can see myself though, in the future, driving or walking passed my street, and not being able to turn my head away from looking down it, thinking about the people that are occupying the ossuary of my home, sleeping in my room and larcenously taking a shit in my toilet. The nerve.

Tea with the Mad Hatter by fd from Flickr.

Welcome to Disneyland and Main Street, USA by andy castro from Flickr


This post was originally published at my old site. Sorry I couldn't import your comments.


Monday, October 13, 2008

Hyperbolic Sentiment

One of the things that I discuss a lot with fellow expats is how living abroad seems to intensify feelings because your usual frame of reference vanishes. Suddenly, the diluting familiarity of surroundings is gone and you exist as if in a lonely contextual vacuum where sensitivities become exaggerated.




The black bile of sadness seems more steadfast;

Fear more hysterical;

Loss more penetrating;

Indecision more weighted;

Dissatisfaction more frustrating;

A falling out with a friend more dispiriting;

A fight with a spouse more turbulent;

An argument with a sibling or parent more significant.

You can have a bad day, or a bad couple of weeks, and...fuck...all you can think about is being on a flight back through the looking glass where the strata of context fit together like the most perfectly matching puzzle pieces. You want to be anywhere but in this wonderland where everything feels slightly off and the layers of environment that surround you do not comfort you or anchor you.





But you also recall that you´ve felt here more than you´ve felt anywhere.

More alive.

More humbled.

More ignited.

More open.

The spectrum of human emotion more extensive.

The repertoire of human experience more complete.

The panopticon of your mind less foggy. Maybe.

Or maybe all of this added junk of another universe has just bifurcated your mind into two incomplete parts.

Sometimes I envy people who have never left home.

Ok, maybe a lot.

"The Uncertain Stability of Two Subjects in a Catastrophe" and "The Modern Goddess of Satirical Mutilations" from Flickr by DerrikT

This post was originally published on my old site. Sorry I couldn't import your comments.

Monday, October 6, 2008

Cardilicious escapism

"And you may find yourself
living in a shotgun shack
And you may find yourself
in another part of the world
And you may find yourself
behind the wheel of a large automobile
And you may find yourself
in a beautiful house, with a beautiful Wife
And you may ask yourself-
well...how did I get here?"

This is a question I ask myself constantly, but especially when I find myself, like this last weekend, in a village with population 324 in the middle of Don Quixoteland eating, I kid you not, brain, tripe, and pig ears for dinner.

I´ve always thought the fact that I can easily tune Spanish out and shut off all the shit-talking noise around me was a plus, but I´m realizing this might be a disadvantage when your organ-indulging, culinarily derranged in-laws, are ordering your dinner for you.

"And you may ask yourself
What is that beautiful house?
And you may ask yourself
Where does that highway go?
And you may ask yourself
Am I right? ...am I wrong?
And you may tell yourself:






This is the precise moment when you close your eyes and suddenly your brothers in-law convert into Lollypop Guild members and Glenda, the good witch appears in her pink bubble and hooks you up with some rockin ruby slippers that you click together and say:


"There´s no place like home, there´s no place like home"


And then you open your eyes and you find yourself here instead (I´ll be the blonde):


And all this Don Quixoteland, organ-eating madness was just part of a really long dream that was sometimes an adventure, sometimes erotic, but sometimes a tooth-spitting, naked-in-public nightmare.

And someone hands you a margarita on the rocks and a salty tear drips into it, but it´s okay, cause you like your margaritas with lots of salt.

And someone is roasting hot dogs. Yummmm.

But then you realize what hot dogs are made of.

"Same as it ever was...
same as it ever was...
same as it ever was...
Same as it ever was...
same as it ever was...
same as it ever was...
Same as it ever was...
same as it ever was..."


And then you open your eyes and you snap back to surreality and say, fuck it, "Please pass the ears".


Modern Outdoor Dining by Spacepotatoe from Flickr.

Italicized are lyrics from Once in a Lifetime by Talking Heads.
This post was originally writtin for my old site. Sorry I could not import your comments.

Monday, August 4, 2008

Shreds of Home

"Home."

On the way home from the airport, we pass a street we normally would have taken, that leads to a house that now some creepy faceless people are living in. They are sleeping in the room I used to sneak boys into, swimming in the pool I used to jump from the roof into, cooking in the kitchen I used to fight tooth and nail not to have to clean, slamming doors I once defiantly slammed for effect. They check their mail from the box I got the my pen pal letters from, my college acceptance letters from. It's all very violating.

Then we arrive "home" to a massive, cold house where my parents now live, an unfamiliar place where I don't know where any of the light switches are. In the middle of the night, jet lagged, I essay the house for shreds of home (and to self-flagellate with my memories like I tend to do). There's that end table my mom got in the divorce, the family picture from 1989 where we were all wearing matching sweaters that is cheesy as hell, my mom's Women's Anatomy book that I learned about the female orgasm from, the lighthouse lamp that used to sit on top of the piano that was always lit when I came home way past my curfew. These little pieces of "home", all this shit from my childhood, is as if on display in a giant, overly air-conditioned museum. It's mildly nauseating.

Then I go outside at 4 a.m. and feel the rush of hot air, the smell of summer grass and orange groves, the dawn coming earlier than anywhere I've ever known. I see lightning from an electrical storm far off. People are already walking their dogs. And I remember the city, beyond the back wall, the only city I can ever call home, with its hot hair dryer breeze, its desolate, sad strip malls with all their convenient, solitary familiarity. And I think, "Oh yeah. Home." And it ties my stomach up in knots and reminds me of the vast, sad distance that normally separates me from this and the abyss of time that has passed since I've seen these shreds of home.

This post was originally published on my old site on August 4, 2008. Sorry I could not import your comments.

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